Thisįilm that was closer to a sort of drug trip, more hallucinatory, withĪ kind of peak, a transcendence, you just disappear for a little while
A summary of the movie spring breakers movie#
It - the movie had this really liquid narrative and this energy. So once we got into the edit room - as I started to develop It was more of this idea of something that was moreĮxperiential, like a ride or a video game that was more manic and Was meant to be kind of a pop poem, or an impressionistic Yeah, I mean … it was never meant to be a documentary or an essay. It’s connected to the culture, and maybe there’s a zeitgeist in some World but pushed into something more kind of - I don’t know. It’s something that’s more like a pop poem, or almost like the real And it is more like a reinterpretation of those things. it was never meant to be a kind of documentary or an exposé on Very rarely are things so clearly defined. Things and bad people do good things, and there's beauty in horror and I purposefully try to make films in that grey area, where You hope that it has something that is emotionally confusing to "But this one is just amped up to ten." GQīut that's why you make films to provoke some kind of discourse. Says Korine, sucking on a strawberry in the London office of theįilm's PR agency. "I make films so there is a reaction and the reactions are extreme," From interviews with writer/director Harmony Korine about *Spring Breaker*s, it appears ambiguity and reaction were the goals rather than the delivery of a message:
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